Ova 1994
Barbara Cooper
Wood
74 x 34 x 40
Courtesy Fassbender Gallery, Chicago IL
Cooper's swooping, oversized form strives to contain the energy she has compressed within its latticed surface. She has diligently wrapped and coaxed her material into a presence that echoes her fascination with the natural world. Touching lightly upon a variety of visual reference points, Ova's form appeals to us in its familiarity and holds our attention with its many contradictions. Does it represent male or female? Growth or decay? Heroism or submission? Its strength derives from an ambiguity of interpretation. Schooled as a sculptor and utilizing veneer discarded in the furniture-manufacturing process, Cooper articulates, in the concept and execution of this work, issues clearly reflected in her words:

"My sculptures have evolved from the extended study of plants, seed pods, bones, and shells. They are an attempt to connect my own phases of growth and need for support and protection with what I have observed in nature. My work is inspired by the integrated order that exists throughout the natural world where elements evolve for their essential qualities of function while simultaneously becoming forms of sublime beauty."